I don't think I've ever seen a mask made out of spiderwebs, but I think it works. Overall, the color and composition really make me think of nature, not in a clean faerie magical way, but in the nitty-gritty way, the kind of nature that builds and destroys without mercy. It's not a mask someone made from nature. It's a mask MADE by nature, and, like nature, it's still evolving, it seems. That alone earns by respect.
I like to use only the colors I need for a drawing, and so the use of green and black and white drew me in. It would have been very easy for the face to get lost in just one or two colors, but there is enough highlight on the face to give it shape and personality.
My only real criticism on the piece, and it's a very minor one, is the way the hair was drawn. It's too perfect. I would be curious to see this piece but with tussled, natural hair. While it creates an interesting contrast to the twig and web mask, it seemed slightly out of place.
However, it doesn't deter much from the drawing's other successful attributes. I loved the idea and the execution, as well as the detail around the eyes, though I'm a little sad that the twigs partially cover them. This is still an amazing piece, though, and I would be interested in hearing where the idea of the spiderweb and twig mask originated.
Most of my art has a story, or meaning behind the picture. The title is usually a clue to the meaning, and I leave the viewer to make what they can out of those clues.
Background stories on your characters gives them more life... even if nobody can really guess it compleatly.
As for tools I am using CS3 extended with a Wacom Intuos 3
I don't consider all of these figures characters. Sometimes I don't want them to have histories, or places or origin, sometimes -I- don't even know what they are, other than manifestations of the things in my head. That is why some of them don't have eyes..no personality, nothing to read..emptiness, and haunting..
I think the less you know about something the more other wordly it is. My figures are from a surreal land half the time. I think people prefer mystery..that way they can come up with their own meanings. I have my own..I don't always need to share..
Besides, from what I have seen of art, and done with my own, not everything created has an intended meaning.. sometimes it comes out more naturally that way.
But that is just my standpoint on it. to each their own.
The 25 semi-finalists for our "Darksiders: Your Last Days" contest have been selected! The ultimate winners will be chosen by Joe Madureira, aka "Joe Mad" of Vigil Games. Check out the awesome semi-finalists to see who made the cut!
This newsletter was "born" back in March 2007, from a conversation between ~Lareth and =FrozenStarRo, who with the help of their friends *Iardacil and =Sylwiaa , wanted to make something to promote known and unknown photomanipulators alike here on DeviantArt. As of September 2009 =ImaginaryRosse joined the project and will be helping us out with the weekly choices. While things have changed over time, the essence of the newsletter is still the same. As of recent, the talented =Behana has joined us in bringing you this weekly newsletter and we are excited to have her on board. This is a special feature, with a selection of 50 manips from the past year that we loved.
Although `DEVlANT joined our community only a year ago, he's made sure to make his mark in as many ways as possible. From extensive bug testing around the site, to heading up the now infamous #devBUG Group, Martin's always eager to get involved. His inquisitive mind and enthusiastic personality is reflected in every part of the community which he reaches out to. Always eager to bring suggestions and feedback to us in a positive way, `DEVlANT shows a maturity way beyond his years. It's with great pleasure that we award very first Deviousness of 2010 t... Read More
Critiques
I like to use only the colors I need for a drawing, and so the use of green and black and white drew me in. It would have been very easy for the face to get lost in just one or two colors, but there is enough highlight on the face to give it shape and personality.
My only real criticism on the piece, and it's a very minor one, is the way the hair was drawn. It's too perfect. I would be curious to see this piece but with tussled, natural hair. While it creates an interesting contrast to the twig and web mask, it seemed slightly out of place.
However, it doesn't deter much from the drawing's other successful attributes. I loved the idea and the execution, as well as the detail around the eyes, though I'm a little sad that the twigs partially cover them. This is still an amazing piece, though, and I would be interested in hearing where the idea of the spiderweb and twig mask originated.
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